He saw them mostly in economically depressed but sexually charged circumstances, which proved extremely popular with both the critics and the public. Inge dramatized the melancholy, the humor and the unconscious gallantry of commonplace characters. Yet by his attention to the language and behavior of inarticulate, rural Americans, he created a small body of highly theatrical stage literature, works that are rivaled only by those of the far more rigorous Horton Foote. He was a deceptively prosy sort of writer. They were of the same generation, but Inge was not of the stature of the other two, being neither a great poet of the theater nor a grandly dramatic moralist. DURING the height of his career in the 1950's, the playwright William Inge was sometimes placed in the pantheon of post-World War II giants with Tennessee Williams and Arthur Miller.
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